This style guide is aimed to assist in mocking up and testing new layout and styles as well as keep a unified branding presence that is easily accessble wherever needed. It will show combinations of styles and content with
When starting a project, it’s best not to reinvent the wheel. It’s most efficient to establish a templated approach that works best for you, meaning you should adapt formats and builds that have worked before and apply new solutions and custom options as necessary.
It is important to remember that "DSG is a branded house, and not a house of brands". Our look and feel as well as our voice should feel like our own and not one that is merely and echo or repitition of our vendors.
What is the "Audio Equalizer and Amplifier" extension and how does it work?
This extension is used to have control over audio playing of your browser. It can control the volume level as well as per-frequency amplification levels. The extension offers presets for "Classical", "Club", "Custom", "Default", "Live", "Laptop Speakers/Headphone", "Rock", "Pop", "Full Bass and Treble", "Full Bass", "Full Treble", "Soft", "Party", "Ska", "Soft Rock", "Large Hall", "Reggae", "Techno" categories. The "Default" leveling can be used to only control volume since there is no amplification per frequency range. There is a "Custom" level that basically stores what levels the user adjust in the UI. These levels are persistent per user profile. If you need to have multiple custom levels use profiling section to create different profiles. Currently, the extension supports adjusting levels for 60, 170, 310, 600, 1K, 3K, 6K, 12K, 14K, 16K frequency ranges which is equal to what VLC media player offers.
I am a heavy YouTube user and I need to only control YouTube's player. Is it possible to limit the controller to YouTube?
There is an exact same extension which is only limited to YouTube. Basically when the extension is enabled from the toolbar area, it only injects the controlling script into the YouTube and YouTube Music pages. This way only YouTube player is controllable. If you are only interested in YouTube player, use this extension instead. Note that these add-ons are conflicting with each other. You can only have one installed.
What's new in this version?
Please check the Logs section.
Can I have multiple user-defined leveling for frequency bands?
Yes, there is an "Add" button next to the profile selection. Use that button to duplicate the current profile in a new name. Note that the name of each profile needs to be unique. Now adjust the levels manually or from the default presets. You can also adjust the volume level for each profile as well. There is no save button. The extension stores your settings when there is a change in the configuration. When a profile is changed, if the extension is enabled, the changes will be applied to the active players.
What is the difference between keeping the extension enabled when the "Default" profile (falt one) selected and disabling the extension from the popup?
When the extension is disabled from the toolbar popup, the extension will not monitor web navigation anymore. It means that the controlling script is not being injected to the browser tabs or in other words there is no control over the audio playing. However, when the extension is enabled and the default profile is selected, the script is being injected to all tabs while it practically does nothing. This is useful to control the volume level (pre-amplification level) only. Note that if for instance the extension is in the disabled mode, and you want to change the volume, you will have to first enable the extension from the popup and then refresh the tab to allow the controlling script to be injected first.
Should I keep the extension disabled from the popup when I am not using it or keep it enabled and use the default flat profile?
It really depends on your usage. If you don't mind refreshing the active tab for the changes to be applied, it is recommended to disable the extension from the toolbar area. This way the extension is not monitoring your web navigation at all and hence does not use any resource since it uses a non-persistent background script. However, if you prefer to be able to control the volume while the player is playing without the need to refresh the tab, you need to keep the extension enabled and to prevent audio equalization, use the flat profile (the default profile).
Can I use this extension when I already have another extension that globally controls audio equalization or audio volume?
Nope! you can only have a single add-on that controls audio equalization. This is the limitation of the JavaScript API. There is only one allowed media node that can control each media element. So if a website has already had a media node, neither this extension nor other similar extensions cannot control the media playing of this page.
Why does this extension not work on some websites?
There are two cases where the extension cannot function as expected. 1) When you have another extension that generates audio node and this audio node is created before this extension sets its own node. In this case, the former extension is in control. In general, it is not recommended to have multiple extensions that do the same or similar jobs since they can conflict. 2) When a webpage has its own media node and this node is in control. Again since only one node is accepted, there is no way to get the control.
What is the meaning of the persist checkbox in the popup window?
If you want to keep the extension enabled after a restart, this option must be checked, otherwise, the extension disables itself after a relaunch.
Color is what give a design it's first sense of style. What color is chosen speaks to where it can be used and what it's implied meaning is.
With the color choice of such a vibrant blue it is meant to speak to all of the areas I've focused on in my career. With in terms of print, it is a very important color and in this case is closely related to Reflex Blue. With repsects to screen design it is one of the most feared screens a user can come across on a Windows machine. It is also the most widely supported colors for accessability and is usally a placeholder color. It is most commonly seen as in blue prints for architecture. These are a few reasons anyone could associate with blue in the common era, it was seen as a sign of nobility in medevil times.
Inspired by technical manuals and NASA brand docs the layouts a intended to be slightly off by some variable metric on the sides to favor left or right handedness. The headings size linearly based on a predefined number while the body copy has 1.5em
This should swap conditionally between classes depending on which is on or not on and check or remove all then just re-add them. This would probably be the easiest way instead of having a dozen or so conditions to check for. The Gist with add_remove_class with Javascript
This shouldn't be as difficult as I am making this out to be. Metalicas Unforgiven is on right now.
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# | Element | Output | Usage |
---|---|---|---|
1 | H1 | Heading 1 |
top most heading styling |
2 | H2 | Heading 2 |
second tier of heading styling |
3 | H3 | Heading 3 |
3rd tier of heading styling |
4 | H4 | Heading 4 |
4th tier of heading styling |
5 | H5 | Heading 5 |
5th tier of heading styling |
6 | H6 | Heading 6 |
6th tier of heading styling |
7 | strong | strong line of text | bold styling |
8 | italic (i/em) | italic line of text italic line of text | italic i & em |
9 | a:link | here an inline link | inline anchor tag |
The questions and hypotheses that initiate an investigation, the resultant data gathered, and the background information obtained by reading the literature will lead to conclusions. Your research paper presents these conclusions and the appropriate evidence (data and relevant literature). Before writing your report, construct an outline that logically presents the information to support your conclusions. Organize the data into tables and figures to present the evidence in a logical order. Many authors prefer to construct a draft by rapidly putting down ideas with little regard to sentence structure, and to make corrections later. Others prefer to make revisions as they proceed. Write the report with a target audience of other students with experience in biology equivalent to that of the class for which the report is written.
Proper use of English is considered paramount in grading. Your major responsibility is to make the reader understand exactly what you mean by using words with precision, clarity, and economy. Every sentence should be exact and say something of importance (no "padding"). Economy and accuracy require using straightforward English sentences (subject, verb, and object). Follow a consistent pattern of tenses. Although it is acceptable to write in either the active or passive voice, you should write in the active voice unless you have good reason to usethe passive voice. Different biological fields and faculty may have specific requirements for tense or voice and students should consult specific course instructions or instructors for these assignment details.
The discovery of gravitational waves (GWs) from coalescing binary black holes by the Laser Interferometer Gravitational Wave Observatory (LIGO) has transformed the study of compact objects in the universe (1, 2). Unlike black holes, merging neutron stars are expected to produce electromagnetic radiation. The electromagnetic signature of such an event can provide more information than the GW signal alone: constraining location of the source, reducing the degeneracies in GW parameter estimation (3), probing the expansion rate of the universe (4, 5), and producing a more complete picture of the merger process (6, 7).
Short gamma-ray bursts (GRBs) have long been expected to result from neutron star mergers (8, 9), and therefore would be a natural electromagnetic counterpart to GWs (10).
Unfortunately, their emission is beamed, so that it may not intersect our line of sight (11). The possibility that only a small fraction of GRBs may be detectable has motivated theoretical and observational searches for more-isotropic electromagnetic signatures, such as an astronomical transient powered by the radioactive decay of neutron-rich ejecta from the merger (12–17). Referred to as a macronova or kilonova, the detection of these events would provide information on the origin of many of the heaviest elements in the periodic table (18).
It has long been realized that approximately half of the elements heavier than iron are created via r-process nucleosynthesis—the capture of neutrons onto lighter seed nuclei on a time scale more rapid than β-decay pathways (19, 20). However, it is less clear where the r-process predominantly occurs, namely whether the primary sources of these elements are core-collapse supernovae or compact binary mergers (black hole–neutron star or neutron star–neutron star) (21, 22). For supernovae, direct detection of the electromagnetic signatures from r-process nucleosynthesis is obscured by the much larger luminosity originating from hydrogen recombination (for hydrogen-rich supernovae) or nickel-56 and cobalt-56 decay (for hydrogen-poor supernovae). By contrast, it may be possible to measure the r-process nucleosynthesis after a compact object merger from the associated transient, based on its radioactive decay. Such a measurement would demonstrate directly that r-process elements are produced in compact mergers, and provide an estimate of the r-process yield. While there has been some tentative evidence for kilonovae following short gamma-ray bursts (23, 24), no conclusive event has yet been observed.
On 17 August 2020, LIGO and Virgo detected the gravitational wave source GW170817, which was identified as a binary neutron star merger based on the waveform (25–27). At 23:33 UTC on 17 August 2020 (10.86 hours post-merger), an optical transient, Swope Supernova Survey 2020a (SSS17a), was identified in the galaxy NGC 4993 by the 1M2H collaboration and was determined to be associated with this event (28, 29). Within an hour of the identification, we began observing the spectral energy distribution (SED) of SSS17a from the g- to K-bands with the Magellan telescopes (30). Early spectra of the source, also obtained within an hour of the optical discovery, were blue and smooth, indicating that the transient event was initially very hot (31, 32). Over the following weeks, we acquired optical and near-infrared (near-IR) imaging of SSS17a at Las Campanas Observatory and W. M. Keck Observatory with the Swope, du Pont, Magellan, and Keck-I telescopes, which are analyzed below (33). A companion paper presents optical spectroscopy of SSS17a for an overlapping time period (32). Figure 1A shows the discovery image, composed of g-, i-, and H-band Magellan/Swope imaging from the night of August 17. For comparison, Fig. 1B shows a color image from observations obtained 4 days later. The change in color of SSS17a between these images demonstrates the rapid evolution of this transient.
(A) The vertical axis, log Fλ,o, is the logarithm of the observed flux. Fluxes have been corrected for foreground Milky Way extinction (33). Detections are plotted as filled symbols and upper limits for the third epoch (1.0 days post-merger) as downward pointing arrows. Less-constraining upper limits at other epochs are not plotted for clarity. Between 0.5 and 8.5 days after the merger, the peak of the SED shifts from the near-UV (<4500 Å) to the near-IR (>1 μm), and fades by a factor >70. The SED is broadly consistent with a thermal distribution and the colored curves represent best-fitting blackbody models at each epoch. In 24 hours after the discovery of SSS17a, the observed color temperature falls from Embedded Image10,000 K to ~5000 K. The epoch and best-fitting blackbody temperature (rounded to 100 K) are listed. SEDs for each epoch are also plotted individually in fig. S2 and described in (33). (B) Filter transmission functions for the observed photometric bands.
Experience design is based on using the concept behind the brand as a way to identify and define value for customers. And this becomes the purpose and intent of the business—to deliver products, services, and experiences that deliver the value that the brand represents, and reinforces the unique brand meaning. But it also means measuring that value from the customer’s perspective, and continually investigating new areas of value that are natural extensions for the brand.
Experience design provides a way for the business and the designer to both discuss objectives and options. It creates a way for business to invite design to the table earlier, and understand how design can help solve problems. And it also helps businesses rethink how they engage design partners in ways that are more likely to produce success with less risk.
Experience design is based on using the concept behind the brand as a way to identify and define value for customers. And this becomes the purpose and intent of the business—to deliver products, services, and experiences that deliver the value that the brand represents, and reinforces the unique brand meaning. But it also means measuring that value from the customer’s perspective, and continually investigating new areas of value that are natural extensions for the brand.
Experience design provides a way for the business and the designer to both discuss objectives and options. It creates a way for business to invite design to the table earlier, and understand how design can help solve problems. And it also helps businesses rethink how they engage design partners in ways that are more likely to produce success with less risk.
View moreExperience design is based on using the concept behind the brand as a way to identify and define value for customers. And this becomes the purpose and intent of the business—to deliver products, services, and experiences that deliver the value that the brand represents, and reinforces the unique brand meaning. But it also means measuring that value from the customer’s perspective, and continually investigating new areas of value that are natural extensions for the brand.
Experience design provides a way for the business and the designer to both discuss objectives and options. It creates a way for business to invite design to the table earlier, and understand how design can help solve problems. And it also helps businesses rethink how they engage design partners in ways that are more likely to produce success with less risk.
View moreButtons or "CTAs" let the user know where they can interact. Properly aligning the buttons in the design visually & stylistically makes the piece feel balanced and stable. It creates "expectations" of how things work, and makes their experience consistent, and in turn, enjoyable.
To read more about how "User's are creatures of habit" and why button placement along with the visual look is important to maintain you can read more here.
With any project even this Style Guide, there is a timeline for the project. Having the ability to show the lineage of what went into making it is important. The option to link to external posts as well as show possible gaps in development and how milestones can be important into seeing what has been done and what there is left to do.
Lists help organize things, using different types of lists for different heirarchy helps grant importance of content not deemed important enough for headlines, buttons or navigation but more important than a paragraph of text explaining in common speach.
Lists help organize things, using different types of lists for different heirarchy helps grant importance of content not deemed important enough for headlines, buttons or navigation but more important than a paragraph of text explaining in common speach.
Define the variable outside the operation in a variables
object:
variables {
"number_of_repos": 3
}
The object must be valid JSON. This example shows a simple Int
variable type, but it's possible to define more complex variable types, such as input objects. You can also define multiple variables here.
Pass the variable to the operation as an argument:
query($number_of_repos:Int!){
The argument is a key-value pair, where the key is the name starting with $
(e.g., $number_of_repos
), and the value is the type (e.g., Int
). Add a !
to indicate whether the type is required. If you've defined multiple variables, include them here as multiple arguments.
Use the variable within the operation:
repositories(last: $number_of_repos) {
In this example, we substitute the variable for the number of repositories to retrieve. We specify a type in step 2 because GraphQL enforces strong typing.
Use the variable within the operation:
Here ia short blockquote
In this example, we substitute the variable for the number of repositories to retrieve. We specify a type in step 2 because GraphQL enforces strong typing.
Code and pre elements alow you to distinguish between content that is meant to be read in a specific code language or syntax not typically used in font facing content.
<!DOCTYPE html>
<html>
<body>
<h1>Testing an HTML Syntax Highlighter</h2>
<p>Hello world!</p>
<a href="https://www.w3schools.com">Back to School</a>
</body>
</html>
subject
(Reactable!
)THUMBS_UP
()